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DSMC2 CAMERA BRAIN

카메라 브레인은 이미지 센서의 하우징으로 서와 고급 컴퓨팅 구성요소로서 RED 시스템의 핵심입니다. DSMC2 브레인은 초당 300MB 데이터를 저장 할 수 있고 REDCODE RAW 와 APPLE ProRes 혹은 Avid DNxHR/HD으로 지속적인 녹화가 가능합니다. 또한 3가지 센서 옵션을 제공하여 다이나믹한 레인지와 8K 화질을 구현합니다.

MONSTRO 8K VV

- 35.4 메가픽셀 CMOS 센서

- 40.96 mm x 21.60 mm (직경: 46.31 mm)

- 레드의 우수한 센서는 시네마틱 풀 프레임 렌즈 커버리지와 17+ 이상의 다이나믹 레인지를 제공합니다.

HELIUM 8K S35

- 35.4 메가픽셀 CMOS 센서

- 29.90 mm x 15.77 mm (직경: 33.80 mm)

- Super 35 포맷의 8K 해상도, 가장 높은 DxO 스코어

GEMINI 5K S35

- 15.4 메가픽셀 듀얼 감도 CMOS 센서

- 30.72 mm x 18 mm (직경: 35.61 mm)

- 듀얼 감도 모드 : 밝은 환경에서는 Standard 모드를 어두운 환경에서는 Low Light 모드를 사용할 수 있습니다.

dragon_x_front_v2.png

DRAGON-X 6K S35

- 19.4 메가픽셀 CMOS 센서

- 30.7 mm x 15.8 mm (직경: 34.5 mm)

SUPERIOR IMAGE QUALITY

뛰어난 이미지 품질

DSMC2는 진화된 컬러와 다이나믹 레인지를 접목하였습니다.

살아 숨쉬는 듯 한 이미지 품질을 영상에서 확인 할 수 있습니다.

깊은 명암과 하이라이트 roll-off 를 완벽한 디테일로 표현해 냅니다.

RESOLUTION MATTERS 화질의 모든 것

DSMC2는 뛰어난 화질과 이미지 품질을 제공합니다. 깨끗한 이미지는 촬영자의 영상을 조금 더 생동감 있게 할 것입니다. RED는 한 단계 더 나아가 Monstro와 Helium으로 HD 보다 17배이상 4K 보다 4배이상 뛰어난 해상도로 부드러움과 아름다움을 더해 줍니다.

GEMINI OFFERS FLEXIBILITY IN ANY SITUATION

Low Light 모드를 제공하는 GEMINI는 RED의 가장 민감한 센서입니다. 저조도와 쉐도우에 뛰어난 장점을 보입니다.

YOUR WORKFLOW. SIMPLIFIED.

더욱 쉬워진 워크플로우

RAW로 촬영하는 것은 이렇게 쉬웠던 적이 없습니다. RED의 RECODE RAW 파일 포맷은 흔히 R3D 라고도 불리며 후반 작업시 편리합니다. DSMC2는 더 많은 창의성의 자유를 주고 동시에 R3D 와 Apple ProRes 혹은 Avid DNxHR HD로 녹화가 가능합니다.

TECHNICAL SPECIFICATIONS 기술 스펙

MONSTRO 8K VV

SENSOR TYPE

MONSTRO 35.4 Megapixel CMOS

EFFECTIVE PIXELS

8192 × 4320

SENSOR SIZE

40.96 mm x 21.60 mm (Diagonal: 46.31 mm)

DYNAMIC RANGE

17+ stops

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456) 
60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024) 
75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps 
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps 
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS

8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps 
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps 

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs 
Variable number of 3D LUT outputs with DSMC2 expander module 
User programmable shaper 1D LUTs 
Tetrahedral interpolation, 16-bit processing

 

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

 

REMOTE CONTROL

Integrated R.C.P. WiFi antenna 
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

 

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 
1080p RGB or 4:2:2, 720p RGB or 4:2:2 
480p RGB or 4:2:2 (HDMI only) 
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

MONITOR OPTIONS

DSMC2® Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

 

* Tech specs reflect both current and projected information. Everything is subject to change.

HELIUM 8K S35

SENSOR TYPE

HELIUM 35.4 Megapixel CMOS

EFFECTIVE PIXELS

8192 × 4320

SENSOR SIZE

29.90 mm x 15.77 mm (Diagonal: 33.80 mm)

DYNAMIC RANGE

16.5+ stops

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) 
60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) 
75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps 
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps 
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS

8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps 
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps 

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs 
Variable number of 3D LUT outputs with DSMC2 expander module 
User programmable shaper 1D LUTs 
Tetrahedral interpolation, 16-bit processing

 

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

 

REMOTE CONTROL

Integrated R.C.P. WiFi antenna 
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

 

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 
1080p RGB or 4:2:2, 720p RGB or 4:2:2 
480p RGB or 4:2:2 (HDMI only) 
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

MONITOR OPTIONS

DSMC2® Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

 

* Tech specs reflect both current and projected information. Everything is subject to change.

GEMINI 5K S35

SENSOR TYPE

GEMINI 15.4 Megapixel Dual Sensitivity CMOS

EFFECTIVE PIXELS

5120 × 3000

SENSOR SIZE

30.72 mm x 18 mm (Diagonal: 35.61 mm)

DYNAMIC RANGE

16.5+ stops

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

75 fps at 5K Full Height 1.7:1 (5120 × 3000) 
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps
6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps
2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps
8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps
2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps
6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps

REDCODE RAW ACQUISITION FORMATS

5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs 
Variable number of 3D LUT outputs with DSMC2 expander module 
User programmable shaper 1D LUTs 
Tetrahedral interpolation, 16-bit processing

 

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

 

REMOTE CONTROL

Integrated R.C.P. WiFi antenna 
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

 

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 
1080p RGB or 4:2:2, 720p RGB or 4:2:2 
480p RGB or 4:2:2 (HDMI only) 
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

MONITOR OPTIONS

DSMC2® Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

 

* Tech specs reflect both current and projected information. Everything is subject to change.

dragon_x.png

DRAGON-X 6K S35

SENSOR TYPE

DRAGON-X 19.4 Megapixel Super 35mm CMOS

EFFECTIVE PIXELS

6144 x 3160

SENSOR SIZE

30.7 mm x 15.8 mm (Diagonal: 34.5 mm)

DYNAMIC RANGE

16.5+ stops

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

75 fps at 6K Full Format (6144 x 3160), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

3:1 REDCODE at 6K Full Format (6144 x 3160) and 24 fps
7:1 REDCODE at 6K Full Format (6144 x 3160) and 60 fps
2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps
6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps

REDCODE RAW ACQUISITION FORMATS

6K Full Format (6144 x 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

 

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

 

REMOTE CONTROL

Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

 

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

MONITOR OPTIONS

DSMC2® Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

 

* Tech specs reflect both current and projected information. Everything is subject to change.

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